When
filming and editing our main film, we avoid problems like these by
ensuring the screen switched to the other character if two shots
following each other did not fit or were not fluent. We also spent
more time making sure we cut to different shots nearest to the exact
point it would switchover. A similar part of our main film is when Brad walks out of the library and through the door that leads to the stairs. We made sure the continuity of this part was as fluent as it could be and we feel it was a success.
The
reason we wanted the continuity to be as perfect as we possibly could
was to ensure that it seemed realistic. The whole real-life idea is
very important in editing romantic comedies because of course the
happy-ending romance may seem a little unrealistic, the continuous
editing is key to still make it believable. This lead us to avoid any
dissolves, fades or wipes.
We
used shot-reverse-shot when Billy and Sean have their conversation,
we used two different cameras and filmed the one conversation from
two different points. The conversation was shot in medium close-up.
Filming this was without difficulty for us, we were confident and
happy with our results. Minor setbacks we had were with actors
getting restless giggles, but of course the shots we needed were
displayed in the end. After the conversation, Billy stands up and
slaps Sean. We used a match on action on this part. It proved to be
successful and quite funny from the way we had edited it. Perfect
practice for a romantic-comedy. Billy
had more prevalence and more screen time. We knew that Billy would be
the one to slap Sean so we chose to film him from a slight low angle, to
increase his power and Sean from a slight high angle, to display his
inferiority.
We
did want to use a tracking shot of Ella as she ran down the corridor
at the beginning of the film. However due to not having the right
equipment we were unable to produce this shot.
Again
with the idea of realism, we ensured we filmed according to the 180
degree rule as this makes it seem like the audience are seeing the
whole thing from a realistic point of view. The 180 degree rule is
a basic guideline regarding the on-screen spatial relationship
between a character and another character or object within a scene.
It is an imaginary line which the actors must stay on ones side of.
We followed this rule in our preliminary and our main task.